Last week was taken over by Typo London, the first of the famed Typo Berlin design conferences to make it to the UK. Eric Spiekermann chaired the event, with his team of moderators, and the whole thing was nicely organised and had some fun bits. Despite the title ‘Typo London’, this is not a conference primarily about type. It’s more to do with graphic design and the...
Last week Nance Cunningham joined us in the Department to talk about the Burmese script. Nance works as a lexicographer, working on English-Burmese dictionaries, so is familiar with the difficulties of Burmese fonts. She stayed a couple of nights, which meant she could give me quite a comprehensive understanding of the Burmese letters and how they should work together. Burmese, like other Brahmic...
Thoughts on a Brief
Our first full week in the department has been lots of fun. I’m definitely seeing why Reading University is so highly regarded. Our teachers are really top class: enthusiastic, knowledgeable and fascinating. And it’s a sign of how fun the department is that there are so many ex-students still hanging around, doing research and working on projects, clearly showing no sign of getting...
Excellence in Type Design
What makes a good typeface? Does it just come down to a person’s taste, a subjective opinion? Can a design’s merits be quantified? In our first session, we uncovered some criteria* to judge and critique typefaces. *Whilst thinking around the subject, I’ve rejigged the criteria Gerry elicited hastily from our class. Originality Without much experience, a lot of beginner type...
Reflections on Modern Typography
Gerard said something along the lines of the above back in July when I was studying the TDI course here. Back then, I understood it to mean that aesthetic fashions and art movements through the ages have governed the stylistic proclivities of type designers — as a general overarching principle rather than a traceable set of technological, political and national variables evidenced in every work...